FREE SHIPPING ~ Across USA | 206-854-9215
White Stole
  • Silk Signature Bridal Wraps
    • Flores
    • Fabiola
    • Charming Rose ~ Pink
    • Charming Rose ~ Lilac
    • Spring Ribbons ~ Pink
    • Spring Ribbons ~ Sky Blue
  • Silk Evening Lace Wraps
  • Silk Evening Lace Wraps ~ Beige
  • Silk Gift Photo Theme Wraps
  • Silk Classic GLAM Gala
  • Silk White Ivory Shawls
  • Vintage Ivory Stoles: Bridal, Formal
  • Vintage Natural Brown Stoles: Bridal, Wedding, Gala
  • Blog ~ Flowing, Chic, Modern Bridal Style!
  • SHOP
    • Shopping Policies
    • Custom
  • About
  • News
  • Contact Us
  • Blog

The Enigmatic Power of Lace

11/30/2022

0 Comments

 
Picture
We LOVE the Valentino "Sophisticated Evening Lace" Collection!
The intricate material evokes innocence and grandeur. Its history is just as complex.

Flouncy, transparent, stiff, protective: lace is charged with a myriad of emotions, experiences, meanings, and memories. It’s the fabric of grandmothers, but also a textile of childhood. It’s Lolita’s choice, stranded somewhere between pre-pubescence and womanhood, undeniably feminine, but also historically genderless. Most couturiers and ateliers worth their salt have incorporated the material in some way. Chanel, for example, uses it almost every season: Recently, lace showed up in both casual and formal iterations in the brand’s Resort 2023 collection; in the Spring 2023 show, the brand sent out a knockout column dress of white rose-patterned lace, punctuated by black silk bands at the chest and hips, Jazz Age and Space Age in equal parts.

For Bode designer Emily Bode Aujla, lace traverses the space between home and hand. Generally the production of lace for the body and for domestic use is carried out separately. The brand, which frequently repurposes antique textiles intended for the home into jackets, shirts, and trousers, is the perfect testing ground for this crossover. “I am drawn to domestic textiles, like lace, that were made in the home, for the home,” says Bode Aujla, “The shirts we make from lace carry that weight with them.”

For Bode Aujla, there’s an emotional bent to the adaptation: “I work with lace because as a material it holds so much sentimental value,” she says. “It was so laborious to make and the affiliation with its end use—birth, marriage, holidays, death—is significant.”

These affiliations have an economic weight as well. Before value was communicated through celebrity, it was attached to labor. That is, what required the most skill and the most time to create was the most valuable. In Europe in the 1500s, lace, then a brand new innovation, quickly gained speed as an important social signifier, because the finest, most intricate pieces of the delicate fabric could take expert hands several years to create. At the time, lace was a symbol of power and mobility on the shoulders, waists, or necks of people of note—those who could afford extravagance, those whom extravagance served.

Today, lace inspires notions closer to nostalgia and gendered delicacy than of power, domination, or wealth. We have the means to produce lace without purpose, without outsized demands on time, and without massive workforces. But for many contemporary designers, working with lace is a matter of more than just aesthetics. Bode Aujla points out it’s educational value as well: “Using lace now allows us to teach others of their historical identity,” says Bode Aujla, “Like almost forgotten hand-techniques from a small town in Spain to a Quaker lace pattern named for its use in the dining room of the White House or aboard a ship.”
​
In Threads of Power, an exhibition currently on view at the Bard Graduate Center in New York City, lace is surveyed in all its dainty glory. Examples of handwork dating from the year 1580 show the development of the craft, from a long late 16th Century linen bonnet with lace inserts to Michelle Obama’s Isabel Toledo Inauguration ensemble made with asparagus-hued Forster Rohner lace. Most of the works on view were loaned from the Textilmuseum in St Gallen Switzerland, one of the richest resources for lace and lacemaking history in Europe, with an archive to rival that of the Victoria and Albert Museum in London. The exhibition is shocking in its breadth, with juicy and surprising facts about the textile’s production, history, and adaptation through time.

On weekends, a lucky visitor can glimpse women from the Brooklyn Lace Guild creating delicate, fanciful examples of both bobbin and needle lace in real time. Their mesmerizing craft feels exceptionally rare in this context, given the dwindling accessibility to new handmade lace at the scale it was once produced. But there is a corner of the fashion world still readily engaged by the centuries old craft: Designers like Akris and Simone Rocha are honoring this heritage with intricate, handmade designs.

For Rocha, lace has been a nearly ever present element in her brand. “Lace has run through different collections over the years,” she says, “the fabrication is so emotive and helps drive the necessary conversation between textile and silhouette.” In her collections, lace is often combined with eyelet and tulle, evoking at different times Elizabeth the Great, the classic goth, and Little Bo Peep. A lace ensemble opened her very first runway show for London Fashion Week in 2012: a mini skirt suit both professional in its silhouette and suggestive in its translucency.

For lace makers and historians, a contemporary understanding of lace is heavily informed by its popularity in past centuries. “Today, very few designers continue to work with handmade lace,” says Elena Kanagy-Loux, co-founder of the Brooklyn Lace Guild and a participant in the exhibition. “Those that do are often drawn to it out of a desire to support the makers of the craft.” It is that labor that brings about a material so emotionally and visually rich. Lace is like trapped air—the clouds in a textile. With it, a human can don the garb of a god, and float weightlessly in a material that carries countless hours of effort. Lace reaches both ends of the spectrum, from innocence to kink, grandeur to humble domesticity"

Lace itself is hard to define, partially due to the manifold versions it appears in throughout history. Unlike other embroideries, lace has no base fabric. Patterns are built instead with loose thread using a variety of techniques. Originally the term “lace” referred to a narrow braid, and later came to encompass all forms of non-woven, knitted, crocheted, and needle-made openwork textiles. Depictions of lace production seen often in early European treatises on the craft generally incorporated “bobbins”, a rotating cylinder, situated at the head of a firm cushion, on which a lacemaker would create her work. But “needle” lace, where the maker sews a pattern onto a backing that is later removed, is also common.

At the Bard Graduate Center, which encompasses several floors of an Upper West Side townhouse, centuries are covered in only a few thousand square feet. Each item chosen for the show is emblematic of lace’s narrative power. Around a corner in a second floor gallery is a bobbin-lace coverlet, made in Italy between 1625 and 1650. Placed within its 47 square inches are symbols relevant to the 1649 wedding of Philip IV of Spain and his niece Mariana of Austria. There are rams’ skins representing Philip’s membership in the chivalric Order of the Golden Fleece and twelve crowned double-headed eagles symbolizing Mariana’s father the Holy Roman Emperor Ferdinand III. A coat of arms is to be found as well, representing Charles V, who was an ancestor to both. On the top floor are several richly embroidered 18th Century French dresses with lace cuffs and collars, along with a bobbin lace collar and point de venise mantelet of Italian origin from around 1700. On the floors below, lace pattern books are opened to pages that show the motifs and directions of early lace makers.

“The beauty of lace is the time that's put into it,” says the artist and designer Laila Gohar, whose homeware brand, Gohar World, created with her sister, Nadia, incorporates the craft in everything from bottle aprons to bonnets for fruit. “During early COVID we couldn’t touch each other. Now, people are yearning for anything made by the hands of a human. Handmade lace is touch indirect.” With the frenzy of modern media choking our every creative impulse, touches of lace in the home or on the skin have a rooting effect. Lace recalls play, dress up, order, and formality at different turns. But it also recalls sex, lingerie, privacy. That duality is what makes the material interesting.

St. Gallen, the small southeastern Swiss town where the Textilmuseum is located, has a thousand year old textile history. It is home to several of the oldest lace making companies still in operation. One company, Jakob Schläpfer, has supplied lace to a staggering number of couturiers throughout Europe since the 1950s: Chanel, Comme des Garcons, Paco Rabanne, Balenciaga, the list goes on. Recent innovations have extended into sequins, silicone lace, and textiles that incorporate jewels in a decidedly Tudor spin, like “trapped pearls” in chiffon. For Akris, which is based in St Gallen, the local lace trade is vital. “There is no Akris collection without St. Gallen embroidery,” says Albert Kriemler, the brand’s Creative Director. “St Gallen embroidery has almost infinite potential. It can be so much more than what you might expect.” Akris, in particular, is known for utilizing the knowledge of their local lace masters to create lace from an architectural perspective. No doilies here! Instead, we see lace with sharp edges, shadows, and even lace spelling out the brand name.

From a crisp, white social signifier to a marker of time and vessel for remembrance, lace has proven to be an extremely malleable, evocative craft, both in its finished state and in its making. “When you see people making lace, it looks like they are playing an instrument,” says Gohar. “Watching their fingers move… it’s poetic and beautiful and musical.” Lacemaking is like magic. Each pattern is a spell of movement and memory, each pattern book a grimoire lovingly maintained and annotated over years. Though what constitutes lace has evolved and expanded with the dawn of technology, its origin remains awe-inspiring. In its infinite variety, lace can stand as an example of how human skill and technology can intermingle fruitfully, with consideration and care at the point of connection.

Post written by by Camille Okhio
11.23.22

​https://www.wmagazine.com/fashion/lace-fashion-threads-of-power-exhibition?utm_campaign=11-24-22%20Hailey%20Bieber%27s%20Birthday%20



Picture
We LOVE the Valentino "Sophisticated Evening Lace" Collection!
0 Comments

The “NEW ROYAL COUPLES” Celebrate Bridal Tea with LUXE and TUX!

5/20/2018

0 Comments

 
Picture
For White Stole's Creative Mashup of Couture Bridal Looks, Seattle’s premiere Fashion Photographer, John J Martinotti, created a collection of highly stylized Vogue-worthy fashion art photo images alongside renowned Wedding Photographer, Kelly Robbins, who created a second set of Oscar-worthy unforgettably romantic images. 

T
his modern twist on the traditional Bridal Rehearsal Dinner was the brainchild of Stylist, Curator and Producer Roberta Nasser and her White Stole Couture Collection as a Bridal Tea Party happening set in the old-world elegance of the Mayflower Park Hotel in Seattle, Washington on March 11, 2018 in anticipation of the upcoming Royal Wedding.   

Together, John and Kelly were the perfect pair to bring these dazzling visions of Couture Wedding and Evening Luxe in which each woman’s ensemble is, in and of itself, a representation of popular Wedding and Evening Themes - from Floral Garden and Romantic, to Vintage, Retro, Whimsical, Eco Conscious and Modern Urban Chic to Evening Glam -to life.  

Kelly is known in her universe of Wedding for mesmerizing and captivating views into the hearts, minds and souls of her subjects - and she did not fail our Royal Party. John is known in his universe of Fashion for stunning and jawdropping views into the hearts, minds and deep passion of his subjects - and he served glamour up on a Silver Platter to our Royal Party!    

The Over-the-Rainbow results show us how the “New Royals” artfully live, upending our conventional notions of either Plain-Jane Rehearsal Dinners, or Boring Tea Parties…and take us into the rarefied world of Celebratory Luxe.  As any “Special Wedding or Evening Gala Event” should!  
​

Upon viewing this series of stunning images, one might ask ‘Who here is the Bride!?” because each woman’s look reigns supreme unto itself, and is capable of taking center stage at the party.   

That, my dear, is precisely the point! 

See if you can choose!

Watch our blog for full Coverage of our photoshoot's celebration of the Royal Wedding Day!

View White Stole’s entire collection for size and color ranges of Stoles, Shawl and Foulard Wraps, Vintage Stoles, and Cape Boleros for purchase, or rental, on our website.
Picture
Picture
0 Comments

The “NEW ROYAL BRIDES” Celebrate their Bridal Tea with LUXE and CHIC!

5/19/2018

0 Comments

 
Picture
White Stole’s innovative Bridal Rehearsal Tea Concept created a mashup of Couture Royal Wedding Looks of Silk and Vintage Stole and Shawl Wraps by White Stole topping Couture and Custom Wedding and Evening Gown creations from Seattle’s celebrated Couture Wedding and Fashion Designers Lisa Marie Couture, Kimmi Designs, and Gustavo Apiti seated in royalty before an opulently-filled Coffee and Tea table-setting created by Vintage Wedding Curator Lisa Mayer of Vintage Dish Company and photographed here by Seattle's beloved Wedding Photograher, Kelly Robbins.
 
Completing the vision created of Couture Wedding and Evening Luxe in which each woman’s ensemble is, in and of itself, a representation of popular Wedding and Evening Themes - from Floral Garden and Romantic, to Vintage, Retro, Whimsical, Eco Conscious and Modern Urban Chic to Evening Glam - is a lineup of Seattle’s up-and-coming modeling elite: Erika Foster, Jessica Marie Boyle, Michelle Green, Meenal D’rock, Irene Adler, Kiara LeBlanc, Aliea Taylor, Keith Vowell and Sandeep Saksham.     

The beauty seated for this memorable event was highlighted with dramatic and flawless mastery by some of Seattle’s most sought-after Hair and Makeup Artists: Tracie Saunders, Magnolia Karlsson, Daniella Rosaline, Allegra Rege, Jordan Ross, Matt Lawrence and Mayra Ruiz.  

Watch our blog for more Live Coverage of our photoshoot's celebration of the Royal Wedding Day!

View White Stole’s entire collection for size and color ranges of Stoles, Shawl and Foulard Wraps, Vintage Stoles, and Cape Boleros for purchase, or rental, on our website.
Picture
0 Comments

The “NEW ROYALS” Celebrate Bridal Rehearsal Tea with Pomp and LUXE!

5/18/2018

0 Comments

 
Picture
With all the pomp, circumstance and ceremony fit for a proper Royal Wedding Party, White Stole did what it always does to celebrate Romantic Milestones by bringing together the chicest of Seattle models’ silhouettes with the luxe of silk, satin, lace and fine china, from old to new, to capture the times we live in.   

No matter the era, the best Couture Creations, and the gifted Photographers who have captured their allure, have always layered multiple elements and meanings into their work.  To that end, White Stole’s luxurious photoshoot brought their Creative Universe to celebrate the time-honored Bridal Rehearsal Dinner in the most Royal-fashioned way – with a high-fashion Tea Party!  

This modern twist on the traditional Bridal Rehearsal Dinner was the brainchild of Stylist, Curator and Producer Roberta Nasser and her White Stole Couture Collection as a Bridal Tea Party happening set in the old-world elegance of the Mayflower Park Hotel in Seattle, Washington on March 11, 2018 in anticipation of the upcoming Royal Wedding between an American woman, Meghan Markle, and a British gentleman, Prince Harry.  

The vision created of Couture Wedding and Evening Luxe in which each woman’s ensemble is, in and of itself, a
representation of popular Wedding and Evening Themes from:

Floral Garden and Romantic, to Vintage, Retro, Whimsical, Eco Conscious and Modern Urban Chic to Evening Glam.

​Being high-season around the world again for a Royal Wedding, White Stole created this collaborative event to span both the fashion and the wedding industries in Seattle, WA, taking a fresh look at this theme from a truly 'American' and 'Seattle' viewpoint.  

Watch our blog for more Live Coverage of our photoshoot's celebration of the Royal Wedding Day!

View White Stole’s entire collection for size and color ranges of Stoles, Shawl and Foulard Wraps, Vintage Stoles, and Cape Boleros for purchase, or rental, on our website.
Picture
0 Comments

The new "must-have" accessory for the modern wedding ~ the Stole Wrap!

6/7/2014

0 Comments

 
Picture
We have seen them on the runways, but of all the elements within designers’ bridal collections, it is the Stole in it’s many forms that is truly outstanding.  Alongside the traditional Veil, the Stole is irreplaceable for the bride who wants to feel like a fairy princess on her “I do” day.

This “must-have” gives a royal touch to the wedding - a princess allure that each of us look for on our big day.  An elegant detail, light and sinuous, capable of enchanting our guests during the triumphant walk down the aisle. Short or long, the
Stole Wrap or Stole Cape is present today in all variations, from tulle, lace, organza, and chiffon, in white, pastel, or stunningly bright colors. Extremely light, the Stole lends an elegant touch that gives fluency to the bride’s movements.

More sophisticated is the
Stole Wrap in embroidered or appliqued lace. The Stole Wrap becomes an essential accessory for every respectable bride, useful to conceal jaw-dropping necklines or shoulders, and when the time is right, to uncover them and be able to enjoy the party.  Truly infinite are the combinations of materials, from cashmere-silk blends for those who are always cold, to tulles that give soft volume to figures, to chiffons and silk satin for the most luxurious touch.

Reserved for true dreamers is the transparent and very delicate silk chiffon
Stole Cape that enriches the shoulders with see-through grace and elegance. It is well- known that the details make the difference in elegance itself.

View White Stole's entire collection of Stoles, Silk Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


Picture
0 Comments

 The “Stole” "Stole Wrap” and “Stole Cape” share a long, elegant history

5/31/2014

1 Comment

 
Picture
The elegant inspiration of a flowing Stole as a formal wrap of expensive fabric wrapped around the shoulders over a long dress or ballgown, created from silk or natural fabric, and of a length long enough to be draped across either shoulders, or around arms or neck has survived in all cultures throughout the ages. 

A
Stole Wrap is typically narrower than a Shawl, and of simpler construction than a Stole Cape, and is typically worn loosely around the shoulders. Lighter materials such as silk and chiffon are simply finished or cropped, hemmed and bound.  Heavier materials such as fur and brocade are typically lined.  A Silk Stole is essentially a small version of a ladies’ Stole, made of silk. Though these garments or accessories aren’t always made of silk, they are typically manufactured with similar quality fabrics.

A
Stole can also mean a fur or set of furs.  For formal wear, a finished length of fur using pelts from more than one animal is worn over a suit, dress or gown.  In this case, the word Stole stands alone or is used in combination: Fur Stole, Mink Stole.  A Stole is typically narrower than a Cape or Wrap.  The Fur Stole is kept fastened and held together at the front of the collar. Unlike a Silk Stole or Shawl, which is wrapped loosely around a lady’s shoulders and occasionally the neck, a Fur Stole is manufactured to fit the body more snugly

Similar to a Shawl, the Stole Cape typically uses more material length and covers more of the upper body. Also occasionally referred to as a Stole Wrap, the Stole Cape is likely to be found in a wide array of materials and colors, but the most common type of Stole Cape is typically made of fur.  Some popular dressy styles of Stole Capes might include ostrich feathers, marabou, or other material. The feathers can come in various colors, although black, brown and white are generally the most commonly seen.

In addition to making an elegant fashion statement, all types of Stoles have been used to show respect while in a church or in a formal setting, such as for a Wedding, where it might be inappropriate to display bare shoulders or a low-cut gown.

Historically,
Stoles were considered ceremonial dress worn for special occasions or at formal events such as weddings, coronations, graduations, parades, religious rites and galas.  Besides the Wedding Dress, throughout history the formal dress code of ceremonial dress has included the Ermine-lined Cloak, Crown and Septer of a King or Queen, Tribal Dress, Suit of Armor, Military Dress, Liturgical Robe, Graduation Gown, and Robe and Wig worn by British judges.  The Stole as an ecclesiastical vestment consisted of a narrow strip of silk or other material worn over the shoulders or, by deacons, over the left shoulder only, and arranged to hang down in front to the knee or below.  The Stole as a long robe was worn by the matrons of Ancient Rome. 

The lithograph plate posted here showing a variety of ways of wearing shawls in early 19th-century France (ca. 1802-1814), is redrawn from various early 19th-century sources by Durin for
Albert Charles Auguste Racinet's Le Costume Historique (1888), and shows the myriad, exquisite ways the Silk Stole Wrap has been worn over the ages.

View
 White Stole's entire collection of Stoles, Silk Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


1 Comment

“Secretly in her heart she yearns for romance” ~ Oleg Cassini (on Bridal Wear Couture)

10/5/2013

0 Comments

 
Picture
​It was perhaps the iconic wedding spectaculars of Princess Grace in buttoned-lace gown and veil designed by Oleg Cassini, or Princess Diana in her silk taffeta embellished-lace gown with opulent sleeves, tied with bows, and followed by its 25 foot train that most encouraged the romantic “Princess Bride” look, making it a major fashion impression on the world.

Whatever the dress, historically, luxury has been stated by the display of jewelry, as well as the selection of colors embroidered on opulent fabrics or that accessorize the visage of the bride. 

Whether her love is displayed in her hair with a mantilla, veil, or hat, in diamonds, or with the opulent luxury of a silk or natural Stole enveloping arms and shoulders, wearing “lace” remains a timeless image.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Picture
0 Comments

“I believe in sumptuous fabrics and simple lines, what I like to call timeless elegance.” ~ Oleg Cassini (on Bridal Wear Couture)

9/28/2013

0 Comments

 
Picture
​In their review of modern 
Wedding Gown history, many have noted that the era of the best weddings in the world began with the iconic, elegant weddings of Jacqueline Bouvier in a floor length ballgown with simple train designed by Oleg Cassini in 1953, Audrey Hepburn in a tea length gown in 1954 and Princess Grace in a lace-buttoned sheath in 1956, many designs created by Oleg Cassini.  

These images launched our taste for modern elegance and simplicity in wedding attire, and led to our universal love of such modern classics as the A-line silhouette, the Camelot dropped waistline, Asymmetrical, One-Shoulder, Grecian, Empire, Halter, Sheath, Backless, Ruffle, Bow, Ribbon, Mermaid, Corset, Pick-up, Bustle, Sash or Strapless gown with specific neckline details of the Sweetheart, Bateau Neck, Notch, Collar and Cuff styled gowns. 

Whatever the skirt shape, from voluminous to a delicate flowing Empire, the neckline, and what encircles it, is the element of the dress that draws the eye toward the face of the leading lady.  

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Picture
0 Comments

“To be well-dressed is a little like being in love” ~ Oleg Cassini on Bridal Wear Couture

9/21/2013

0 Comments

 
Picture
Those who study royal wedding history have noted that Queen Victoria’s gown in 1840 is referenced as the royal wedding dress that popularized the color "white."  The choice of white goes back to Roman and Grecian times, representing purity.  Queen Victoria’s white satin ball gown with lace overlay skirt and 18 foot train adorned with fresh, fragrant orange blossoms, which she also had in her hair, became the style in the mid 19th century.  The significance of wearing white became an extravagant gesture, and created the need for a special, one-time-only symbolic and treasured keepsake that the wedding dress became. 

The Edwardian Age followed the Victoria Age, and was named for the charming and fun loving Prince Edward, who came to the throne in 1901.  Linked with the French ‘Belle Epoque’ period, this time is often referred to as a romantic golden age of long, sunlit afternoons, garden parties, big hats and a time of elegance and beauty just prior to the Great War.

Whether the royal wedding was lavished with a traditional full length gown and court train embellished with cloche style lace headdress as seen in the 1936 Wedding of Queen Elizabeth, The Queen Mother, or with 10,000 pearls and a record 15 foot silk tulle train adorned by her mother’s diamond tiara as seen in the 1947 Wedding of Princess Elizabeth, wedding traditions have been embellished by lavish tiaras and trains, capes, shawls, stoles and mantillas over the ages.

As America has followed Europe, our taste in wedding attire has been influenced by the famous royal weddings of England, France, Sweden, Norway, Spain, Greece or Portugal - traditions that have constantly been set…and reset…according to one's personal sense of beauty.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Picture
0 Comments

This Pretty little Thing called....”Couture!”

6/22/2013

1 Comment

 
Picture
Any study of fashion can not be separated from women’s fashion history and an understanding of the beginnings of Haute Couture literally meaning “high-quality sewing.”  Paris had been the center of couture since the 19th Century when couture was transformed from a craft into business, and high art. 

Women’s fashion had been put on ice during WWII from 1939 to 1944.  During the occupation of Paris in 1940, many fashion houses were forced into war-related industries.  The progress of the war made it necessary to prohibit all superfluous material and labor.  America followed Britain in clothes rationing with L85 restrictions, promoting the approved ” Victory Suit” with its narrow styling as being more practical and patriotic. 

The Allied Nations were at a loss when Paris fell because they had looked to Paris as the World Capital of Fashion since the 17th Century.  Despite materials rationing on both sides of the Atlantic, some 20 Parisian couture fashion houses violated the wartime silhouette during this time and continued to produce approximately 100 models per year – primarily for wealthy collaborators or for export to Germany.  From Designers to Apprentices, the French declared they had fought to keep Parisian Couture alive because it represented a Parisian industry of prime importance, a means of employment…but most importantly, because it preserved Haute Couture in the eyes of the world.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


Read More
1 Comment

    Archives

    November 2022
    March 2020
    November 2019
    May 2018
    March 2018
    November 2017
    June 2017
    May 2017
    April 2017
    March 2017
    January 2017
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    January 2016
    November 2015
    September 2015
    August 2015
    July 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    July 2013
    June 2013

    A note from
    ​White Stole's Stylist

    White Stole and I introduce the New Face of Modern Wedding and StreetChic Accessories with Stoles, Shawls, Foulard Wraps that bring out the pretty-little-bling in any gown!
    ​xoxo Roberta, Stylist

    Categories

    All
    1920's Inspired Wedding
    1930's Inspired Wedding
    1940's Inspired Wedding
    1950's Inspired Wedding
    1960's Inspired Wedding
    1970's Inspired Wedding
    1980's To Modern Wedding
    4th July Wedding
    About White Stole
    Beach Resort Wedding
    Black Tie Wedding
    Bridal Registry
    Classic City Wedding
    Country Club Wedding
    Country Vineyard Wedding
    Dior's "New Look"
    Evening Silk Stole Wrap
    Fall Wedding
    Garden Wedding
    Heirloom Silk Stole Gifts
    History
    History Of Como Italy
    History Of Haute Couture
    History Of The Fur Stole
    Holiday GLAM Wedding
    How To Wear Silk Stole
    How To Wear Street Style
    Indie BOHO Wedding
    Island Resort Wedding
    Leonard Paris
    "New" Romantic Wedding
    New Year's Day Wedding
    Oleg Cassini
    Personalized Bridal
    Photoshoot Tips
    Prima Ballerina Wedding
    Rental Bridal Wear
    Resort Wedding
    Royal Wedding
    Silk Stole Wraps
    Spring Wedding
    StoleChic StreetChic
    Summer Wedding
    Sustainable Silk Fiber
    The Couturiers
    Theme Wedding
    Urban Wedding
    Valentine's Day Wedding
    Valentino
    Veiled Bridal Couture
    Vintage Stole Wraps
    Vintage Wedding
    Wedding Gown Styling
    Who Is White Stole's Stylist
    Winter Wedding
    Yacht Wedding

    Shop White Stole Signature Wrap Collection
    Shop White Stole Collection
    Shop Evening Stole Wrap Collection
    Shop Gift, Photo, Theme Collection
    Shop Classic GLAM Gala Collection
    Shop Vintage Bridal Stole Collection
    Shop Customized Bridal
    White Stole In The News!
    Wrap With Us!
    Resource Guide: Ladies in Fur 1940-1990

    RSS Feed

    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
    Picture
Powered by Create your own unique website with customizable templates.