Since 1954, the House of Schiaparelli  has been known to be one of the most potent in all of Haute Couture.  During that time, Elsa Schiaparelli, was well-known as a Creator rather than a Couturier who had no formal training in the Art of Couture.  She approached design with bravery because she was free from the dictates of any specific skillset.  

Born to an aristrocratic Italian family of scholars in 1890, she fled the confines of her childhood home in Rome for a fuller life in London, New York and lastly, Paris.  In true post-war elegance, the playful, excessive, erudite and willful spirit that imbued each of Elsa’s designs swept-away the fashion world in 1927 - whether the design was her great pagoda-like mink collars mounted ontop black woolen coats,  or her bow-tied sweaters that exuded all of the surrealism and artistic fury of the 20’s and 30’s.  

Her provocative Ballgowns of the time, some with draping, feathered or embroidered Stoles were legendary, as were the seductive little jackets decorated with embroidery in a profusion of creativity.  Schiaparelli invented the idea of Ready-to-Wear, the concept of the “Boutique,” Mix-and-Match separates, Shirtwaist Dresses, Culottes, Wedge Heels, Designer Sunglasses, Overalls, and the color “Shocking Pink.”  Elsa Schiaparelli even designed a version of the “Jumpsuit” favored by sportsmen and skydivers during WWII for chic women to wear in bomb shelters!  No one had previously inspired artists, and hired them to decorate her clothes and her salon.  For those who loved her, Schiaparelli’s couture designs created the Heritage of her design house that was both bold and smart, with a flair that allowed any woman to stand out in a most exquisite way.

Like Schiaparelli, the Brides and Bridesmaids who come to the White Stole Collection follow their own path.  They are talented, creative women who embrace the eclectic and collaborative motifs brought forward by the most important artists of our time in order for us to become sophisticated women who understand their message of openness and tolerance in our lifetimes.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Most Rental Bridal Wear is easily forgettable – unless you’re the girls who frequent White Stole’s Vintage Bridal Stole and Couture Silk Wrap Collection.  These girls think of their LBD, or toned-down bridesmaid dresses as a blank canvas that can be decorated based on their age, frame of mind, or wedding theme. 

They understand that the perfect accessory (one piece will do!) will give an immediate uplifting look, and add an air of couture luxury to the look of their wedding day.  They know their wedding dress can be exceptional with the pleasure of wearing a One-of-a-kind Vintage or Couture Stole Accessory that will bring treasured memories of their day for a lifetime.

What fashionable young and older women of today love like none-other is that fashion is NOT about the basics (unless your idea of a basic includes fur-lined collars and lapels on cashmere or silk wrapping your shoulders, arms or neck).  It’s for the type of girls who are on the wait list at Fendi, Prada, Leonard Paris or Valentino to be the first to view their trunk shows – whether they can afford the full-priced item, or must rush-off to search for last year’s edition.  Girls who understand true quality as sticking to smaller, hard-to-find labels.  Girls who loathe fast, cheap fashion and instead comb the back racks for Antique Treasures.  Girls who tear pages from fashion and wedding magazines for later reference.  Girls who truly know themselves.

Those of us who curate the White Stole Collection are devoted to recreating only the very best parts of what came before - right down to the vintage-inspired hatbox that one of our rental Stoles comes in.  We understand, too, that a good part of the thrill in purchasing one of our Couture Wedding Accessories is that it will tell the story of our brides’ wedding day for the rest of their lifetime.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

A Couturier, by definition, is “a person who designs, makes and sells fashionable clothes for women.”  Other sources define a Couturier as “one who designs for, or owns, a couture establishment.”  Thus, the word Couturier has led to the use of the word Creature to define the clothes or fashion designer him or herself. 

From 1847 Italy onward, the founding fathers of the fur industry read like cases of fine wine:  Matti, Viscardi, Carinato, Chiovato, Pellegrini, Melloni, Bolzano and many others.  Jole Veneziani moved ahead with her progressive designs alongside Rivella and Schettini.  The trend increased as Rossini, Porro and Naldoni brought Stoles into both sporting as well as elegant realms for the public.  Giovanni Battista Giorgini’s shows at Villa Torregiani in Florence in 1951 helped launch the glory years of Haute Couture.   By 1958, the leading Couturier names of Capucci, Fabiani, Fendi and Valentino spelled Stole elegance into the 60’s and beyond.

Regardless of the name reference, the beginning Italian history of the enthusiasm for women’s Stole fashion began with a few leading men and women, though none so famous as Rivella, who founded his fur fashion house in 1868 and put a personal touch to the endless designs of Cape Stoles of the period – whether having a special collar, or a braided effect like that of a knitted pullover.  In 1958 he created a wedding dress so perfect that the fur blended into the fabric, giving it a Mikado effect.  Rivella became a leading name in the new Made in Italy label.

In Paris, the French fashion houses held fast during WWII with Fourrures Max, the most important pre-war furrier, and shortly after liberation Revillon, Freres, Fath, Molyneux, Chanel, Rouff and Schiaparelli continued with fur fashion that never entirely went away during the war, though it was confined to a very select public.  By 1947 Dior, Balmain and Balenciaga propelled fur fashions to the strata that ensured they were due to last.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

The informal elegance of the small-time Classic Boa Stole set against a stunning evening gown began its ascent to couture fame as early as the 1940's.  The trend toward lower-cost natural shoulder Stoles, with carefully thought-out embellishments and accessories, arose as a detail showing that the piece came from a famous Fashion-House - an Exclamation Point, of sorts, on a formal evening dress.  This small accent-piece also acted as a down-payment in the early days of couture for those who could not otherwise afford the whole garment.

There were feather or fur Boas which either stood alone or were applied to tailor-mades as though they were Stoles,  or were attached to countless hems forming borders to garments of all kinds.  There were huge muffs that could be turned into a Bolero Stole, some with flares or bows at each end.  In designing for evening, designers followed the clinging line of the long evening dress, determining the point of emphasis where the Stole was to be placed.

In celebration of White Stole's small, elegant Classic Boa Stole, which will be walking the runway of the 2014 Seattle Wedding Show, we are thrilled to extend our Special Invitation to all 2014 Seattle Wedding Show Attendees:"

"Wrap 4 or more in your bridal party....and White Stole Wraps YOU!"

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Universally, “knots” in the origin of the wedding ceremony with its centuries of tradition, have had a place in the folklore of many cultures as a symbol of unbreakable pledges.  

Historically, the knot as the symbol of a lasting unity dated back to the Legend of St. Katherine, circa 1225, where the Middle English word “enotte”, or ‘knot,’ was used to mean "the tie or bond of wedlock." From that point ‘To tie the knot’ as an expression came to mean getting married.  

The costume of the bride is the pivotal image that sets the theme for the event itself.   The design of the gowns and their "Stole Wrap" accessories, floral arrangements, and decorations symbolize the tying of the knot custom, representing the bonds of marriage.

Historically, the bride would arrive at the altar with an untied shoe, and the groom would tie the lace.  Knots were tied in the bridal bouquet with a fabric or silken cord or within silk garments as part of the ceremony.  In Italy, a knotted ribbon is tied over the entrance to the reception, within bouquets and Bridal Wraps, and in the frosted pastries tied in knots which are served to symbolize the Love Knot.

View White Stole’s entire heirloom collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Those who study royal wedding history have noted that Queen Victoria’s gown in 1840 is referenced as the royal wedding dress that popularized the color "white."  The choice of white goes back to Roman and Grecian times, representing purity.  Queen Victoria’s white satin ball gown with lace overlay skirt and 18 foot train adorned with fresh, fragrant orange blossoms, which she also had in her hair, became the style in the mid 19th century.  The significance of wearing white became an extravagant gesture, and created the need for a special, one-time-only symbolic and treasured keepsake that the wedding dress became. 

The Edwardian Age followed the Victoria Age, and was named for the charming and fun loving Prince Edward, who came to the throne in 1901.  Linked with the French ‘Belle Epoque’ period, this time is often referred to as a romantic golden age of long, sunlit afternoons, garden parties, big hats and a time of elegance and beauty just prior to the Great War.

Whether the royal wedding was lavished with a traditional full length gown and court train embellished with cloche style lace headdress as seen in the 1936 Wedding of Queen Elizabeth, The Queen Mother, or with 10,000 pearls and a record 15 foot silk tulle train adorned by her mother’s diamond tiara as seen in the 1947 Wedding of Princess Elizabeth, wedding traditions have been embellished by lavish tiaras and trains, capes, shawls, stoles and mantillas over the ages.

As America has followed Europe, our taste in wedding attire has been influenced by the famous royal weddings of England, France, Sweden, Norway, Spain, Greece or Portugal - traditions that have constantly been set…and reset…according to one's personal sense of beauty.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

Any study of fashion can not be separated from women’s fashion history and an understanding of the beginnings of Haute Couture literally meaning “high-quality sewing.”  Paris had been the center of couture since the 19th Century when couture was transformed from a craft into business, and high art. 

Women’s fashion had been put on ice during WWII from 1939 to 1944.  During the occupation of Paris in 1940, many fashion houses were forced into war-related industries.  The progress of the war made it necessary to prohibit all superfluous material and labor.  America followed Britain in clothes rationing with L85 restrictions, promoting the approved ” Victory Suit” with its narrow styling as being more practical and patriotic. 

The Allied Nations were at a loss when Paris fell because they had looked to Paris as the World Capital of Fashion since the 17th Century.  Despite materials rationing on both sides of the Atlantic, some 20 Parisian couture fashion houses violated the wartime silhouette during this time and continued to produce approximately 100 models per year – primarily for wealthy collaborators or for export to Germany.  From Designers to Apprentices, the French declared they had fought to keep Parisian Couture alive because it represented a Parisian industry of prime importance, a means of employment…but most importantly, because it preserved Haute Couture in the eyes of the world.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.