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The Enigmatic Power of Lace

11/30/2022

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We LOVE the Valentino "Sophisticated Evening Lace" Collection!
The intricate material evokes innocence and grandeur. Its history is just as complex.

Flouncy, transparent, stiff, protective: lace is charged with a myriad of emotions, experiences, meanings, and memories. It’s the fabric of grandmothers, but also a textile of childhood. It’s Lolita’s choice, stranded somewhere between pre-pubescence and womanhood, undeniably feminine, but also historically genderless. Most couturiers and ateliers worth their salt have incorporated the material in some way. Chanel, for example, uses it almost every season: Recently, lace showed up in both casual and formal iterations in the brand’s Resort 2023 collection; in the Spring 2023 show, the brand sent out a knockout column dress of white rose-patterned lace, punctuated by black silk bands at the chest and hips, Jazz Age and Space Age in equal parts.

For Bode designer Emily Bode Aujla, lace traverses the space between home and hand. Generally the production of lace for the body and for domestic use is carried out separately. The brand, which frequently repurposes antique textiles intended for the home into jackets, shirts, and trousers, is the perfect testing ground for this crossover. “I am drawn to domestic textiles, like lace, that were made in the home, for the home,” says Bode Aujla, “The shirts we make from lace carry that weight with them.”

For Bode Aujla, there’s an emotional bent to the adaptation: “I work with lace because as a material it holds so much sentimental value,” she says. “It was so laborious to make and the affiliation with its end use—birth, marriage, holidays, death—is significant.”

These affiliations have an economic weight as well. Before value was communicated through celebrity, it was attached to labor. That is, what required the most skill and the most time to create was the most valuable. In Europe in the 1500s, lace, then a brand new innovation, quickly gained speed as an important social signifier, because the finest, most intricate pieces of the delicate fabric could take expert hands several years to create. At the time, lace was a symbol of power and mobility on the shoulders, waists, or necks of people of note—those who could afford extravagance, those whom extravagance served.

Today, lace inspires notions closer to nostalgia and gendered delicacy than of power, domination, or wealth. We have the means to produce lace without purpose, without outsized demands on time, and without massive workforces. But for many contemporary designers, working with lace is a matter of more than just aesthetics. Bode Aujla points out it’s educational value as well: “Using lace now allows us to teach others of their historical identity,” says Bode Aujla, “Like almost forgotten hand-techniques from a small town in Spain to a Quaker lace pattern named for its use in the dining room of the White House or aboard a ship.”
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In Threads of Power, an exhibition currently on view at the Bard Graduate Center in New York City, lace is surveyed in all its dainty glory. Examples of handwork dating from the year 1580 show the development of the craft, from a long late 16th Century linen bonnet with lace inserts to Michelle Obama’s Isabel Toledo Inauguration ensemble made with asparagus-hued Forster Rohner lace. Most of the works on view were loaned from the Textilmuseum in St Gallen Switzerland, one of the richest resources for lace and lacemaking history in Europe, with an archive to rival that of the Victoria and Albert Museum in London. The exhibition is shocking in its breadth, with juicy and surprising facts about the textile’s production, history, and adaptation through time.

On weekends, a lucky visitor can glimpse women from the Brooklyn Lace Guild creating delicate, fanciful examples of both bobbin and needle lace in real time. Their mesmerizing craft feels exceptionally rare in this context, given the dwindling accessibility to new handmade lace at the scale it was once produced. But there is a corner of the fashion world still readily engaged by the centuries old craft: Designers like Akris and Simone Rocha are honoring this heritage with intricate, handmade designs.

For Rocha, lace has been a nearly ever present element in her brand. “Lace has run through different collections over the years,” she says, “the fabrication is so emotive and helps drive the necessary conversation between textile and silhouette.” In her collections, lace is often combined with eyelet and tulle, evoking at different times Elizabeth the Great, the classic goth, and Little Bo Peep. A lace ensemble opened her very first runway show for London Fashion Week in 2012: a mini skirt suit both professional in its silhouette and suggestive in its translucency.

For lace makers and historians, a contemporary understanding of lace is heavily informed by its popularity in past centuries. “Today, very few designers continue to work with handmade lace,” says Elena Kanagy-Loux, co-founder of the Brooklyn Lace Guild and a participant in the exhibition. “Those that do are often drawn to it out of a desire to support the makers of the craft.” It is that labor that brings about a material so emotionally and visually rich. Lace is like trapped air—the clouds in a textile. With it, a human can don the garb of a god, and float weightlessly in a material that carries countless hours of effort. Lace reaches both ends of the spectrum, from innocence to kink, grandeur to humble domesticity"

Lace itself is hard to define, partially due to the manifold versions it appears in throughout history. Unlike other embroideries, lace has no base fabric. Patterns are built instead with loose thread using a variety of techniques. Originally the term “lace” referred to a narrow braid, and later came to encompass all forms of non-woven, knitted, crocheted, and needle-made openwork textiles. Depictions of lace production seen often in early European treatises on the craft generally incorporated “bobbins”, a rotating cylinder, situated at the head of a firm cushion, on which a lacemaker would create her work. But “needle” lace, where the maker sews a pattern onto a backing that is later removed, is also common.

At the Bard Graduate Center, which encompasses several floors of an Upper West Side townhouse, centuries are covered in only a few thousand square feet. Each item chosen for the show is emblematic of lace’s narrative power. Around a corner in a second floor gallery is a bobbin-lace coverlet, made in Italy between 1625 and 1650. Placed within its 47 square inches are symbols relevant to the 1649 wedding of Philip IV of Spain and his niece Mariana of Austria. There are rams’ skins representing Philip’s membership in the chivalric Order of the Golden Fleece and twelve crowned double-headed eagles symbolizing Mariana’s father the Holy Roman Emperor Ferdinand III. A coat of arms is to be found as well, representing Charles V, who was an ancestor to both. On the top floor are several richly embroidered 18th Century French dresses with lace cuffs and collars, along with a bobbin lace collar and point de venise mantelet of Italian origin from around 1700. On the floors below, lace pattern books are opened to pages that show the motifs and directions of early lace makers.

“The beauty of lace is the time that's put into it,” says the artist and designer Laila Gohar, whose homeware brand, Gohar World, created with her sister, Nadia, incorporates the craft in everything from bottle aprons to bonnets for fruit. “During early COVID we couldn’t touch each other. Now, people are yearning for anything made by the hands of a human. Handmade lace is touch indirect.” With the frenzy of modern media choking our every creative impulse, touches of lace in the home or on the skin have a rooting effect. Lace recalls play, dress up, order, and formality at different turns. But it also recalls sex, lingerie, privacy. That duality is what makes the material interesting.

St. Gallen, the small southeastern Swiss town where the Textilmuseum is located, has a thousand year old textile history. It is home to several of the oldest lace making companies still in operation. One company, Jakob Schläpfer, has supplied lace to a staggering number of couturiers throughout Europe since the 1950s: Chanel, Comme des Garcons, Paco Rabanne, Balenciaga, the list goes on. Recent innovations have extended into sequins, silicone lace, and textiles that incorporate jewels in a decidedly Tudor spin, like “trapped pearls” in chiffon. For Akris, which is based in St Gallen, the local lace trade is vital. “There is no Akris collection without St. Gallen embroidery,” says Albert Kriemler, the brand’s Creative Director. “St Gallen embroidery has almost infinite potential. It can be so much more than what you might expect.” Akris, in particular, is known for utilizing the knowledge of their local lace masters to create lace from an architectural perspective. No doilies here! Instead, we see lace with sharp edges, shadows, and even lace spelling out the brand name.

From a crisp, white social signifier to a marker of time and vessel for remembrance, lace has proven to be an extremely malleable, evocative craft, both in its finished state and in its making. “When you see people making lace, it looks like they are playing an instrument,” says Gohar. “Watching their fingers move… it’s poetic and beautiful and musical.” Lacemaking is like magic. Each pattern is a spell of movement and memory, each pattern book a grimoire lovingly maintained and annotated over years. Though what constitutes lace has evolved and expanded with the dawn of technology, its origin remains awe-inspiring. In its infinite variety, lace can stand as an example of how human skill and technology can intermingle fruitfully, with consideration and care at the point of connection.

Post written by by Camille Okhio
11.23.22

​https://www.wmagazine.com/fashion/lace-fashion-threads-of-power-exhibition?utm_campaign=11-24-22%20Hailey%20Bieber%27s%20Birthday%20



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We LOVE the Valentino "Sophisticated Evening Lace" Collection!
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The “NEW ROYAL COUPLES” Celebrate Bridal Tea with LUXE and TUX!

5/20/2018

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For White Stole's Creative Mashup of Couture Bridal Looks, Seattle’s premiere Fashion Photographer, John J Martinotti, created a collection of highly stylized Vogue-worthy fashion art photo images alongside renowned Wedding Photographer, Kelly Robbins, who created a second set of Oscar-worthy unforgettably romantic images. 

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his modern twist on the traditional Bridal Rehearsal Dinner was the brainchild of Stylist, Curator and Producer Roberta Nasser and her White Stole Couture Collection as a Bridal Tea Party happening set in the old-world elegance of the Mayflower Park Hotel in Seattle, Washington on March 11, 2018 in anticipation of the upcoming Royal Wedding.   

Together, John and Kelly were the perfect pair to bring these dazzling visions of Couture Wedding and Evening Luxe in which each woman’s ensemble is, in and of itself, a representation of popular Wedding and Evening Themes - from Floral Garden and Romantic, to Vintage, Retro, Whimsical, Eco Conscious and Modern Urban Chic to Evening Glam -to life.  

Kelly is known in her universe of Wedding for mesmerizing and captivating views into the hearts, minds and souls of her subjects - and she did not fail our Royal Party. John is known in his universe of Fashion for stunning and jawdropping views into the hearts, minds and deep passion of his subjects - and he served glamour up on a Silver Platter to our Royal Party!    

The Over-the-Rainbow results show us how the “New Royals” artfully live, upending our conventional notions of either Plain-Jane Rehearsal Dinners, or Boring Tea Parties…and take us into the rarefied world of Celebratory Luxe.  As any “Special Wedding or Evening Gala Event” should!  
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Upon viewing this series of stunning images, one might ask ‘Who here is the Bride!?” because each woman’s look reigns supreme unto itself, and is capable of taking center stage at the party.   

That, my dear, is precisely the point! 

See if you can choose!

Watch our blog for full Coverage of our photoshoot's celebration of the Royal Wedding Day!

View White Stole’s entire collection for size and color ranges of Stoles, Shawl and Foulard Wraps, Vintage Stoles, and Cape Boleros for purchase, or rental, on our website.
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The “NEW ROYAL BRIDES” Celebrate their Bridal Tea with LUXE and CHIC!

5/19/2018

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White Stole’s innovative Bridal Rehearsal Tea Concept created a mashup of Couture Royal Wedding Looks of Silk and Vintage Stole and Shawl Wraps by White Stole topping Couture and Custom Wedding and Evening Gown creations from Seattle’s celebrated Couture Wedding and Fashion Designers Lisa Marie Couture, Kimmi Designs, and Gustavo Apiti seated in royalty before an opulently-filled Coffee and Tea table-setting created by Vintage Wedding Curator Lisa Mayer of Vintage Dish Company and photographed here by Seattle's beloved Wedding Photograher, Kelly Robbins.
 
Completing the vision created of Couture Wedding and Evening Luxe in which each woman’s ensemble is, in and of itself, a representation of popular Wedding and Evening Themes - from Floral Garden and Romantic, to Vintage, Retro, Whimsical, Eco Conscious and Modern Urban Chic to Evening Glam - is a lineup of Seattle’s up-and-coming modeling elite: Erika Foster, Jessica Marie Boyle, Michelle Green, Meenal D’rock, Irene Adler, Kiara LeBlanc, Aliea Taylor, Keith Vowell and Sandeep Saksham.     

The beauty seated for this memorable event was highlighted with dramatic and flawless mastery by some of Seattle’s most sought-after Hair and Makeup Artists: Tracie Saunders, Magnolia Karlsson, Daniella Rosaline, Allegra Rege, Jordan Ross, Matt Lawrence and Mayra Ruiz.  

Watch our blog for more Live Coverage of our photoshoot's celebration of the Royal Wedding Day!

View White Stole’s entire collection for size and color ranges of Stoles, Shawl and Foulard Wraps, Vintage Stoles, and Cape Boleros for purchase, or rental, on our website.
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Yves Saint Laurent admired the STOLE and her sisters the CAPE BOLERO 

1/29/2017

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White Stole has written about our embrace of Yves Saint Laurent as a Couturier celebrated for his invitation to women to ‘dress to express herself through clothing.’ 

Without question, Saint Laurent liberated our sense of style and invented a modern look that suited contemporary women’s status in society then…and now.  But what is most treasured by White Stole’s Curators of Stole Style is his embrace of the Stole, Shawl, Scarf, Cape and Bolero Accessory,

A critical moment in Yves Saint Laurent’s career was his first evening dress design at the beginning of the Autumn-Winter 1955 collection for the Couture House of Dior.  This design of a black dress, draped with a white scarf worn by a woman astride two elephants in the now-iconic photograph by Richard Avedon, Dovima with Elephants, caused the sensation that would launch Saint Laurent to his iconic status we recognize today. 

Later, his Paris pink silk satin draped bodice with large bow atop black velvet skirt, created in 1983, paid homage to his ability to add the kind of design focal point that made him beloved the world over.

After discovering Morocco in 1966, Saint Laurent expanded his palette into what became a strong element of his style with the explosion of intense colors and the varied hues of traditional garments worn in the Medina.  From black, which he considered a real color, to the exploration of a broad colorful palate, and particular love of pink and blue, Saint Laurent’s sensitivity to color is noticeable in every aspect of his style.

As lovers of Couture, we applaud Saint Laurent’s use of costume jewelry, which was the most inventive in the history of fashion and followed the themes of each of his collections.  The importance granted to the Accessory - the Stole, Cape, Bolero, Shawl, Scarf and Jewelry - established the Saint Laurent look and prefigured the contemporary era. 
White Stole especially admires how Saint Laurent advised women without means to wear a very beautiful accessory over a simple skirt, a black sweater, and boots. 

Together, we are swept into a full embrace of Saint Laurent’s praise of Stoles, Capes and Bolero Wraps in the video footage of the 1998 World Cup soccer finals that contributed to the creation of Saint Laurent’s mythic persona.  This outsized retrospective fashion show at the Stade de France offered him the opportunity to present haute couture to a truly global audience as stunned fans and viewers from all over the world watched three hundred models walk the runway on the floor of the stadium to the music of Ravel’s Bolero. 

In the photos White Stole has carefully curated from the retrospective of that runway show preserved by the Fondation Pierre Berge – Yves Saint Laurent, The Perfection of Style, we witness that Saint Laurent avoided the over-designed approach of many traditional haute couture garments.  Instead, Saint Laurent focused attention on the beauty of the cut rather than superficial ornamentation – proving that the simplest dress can be more spectacular when brought to life with the perfect “Accessory.”  

White Stole celebrates the Stole, Shawl, Cape and Bolero heritage created in all fabrics, materials and textures for us by Saint Laurent, and hopes you enjoy our favorite photos posted here for your pleasure.

View White Stole’s entire collection for size and color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes, Shawls, Foulard Scaves and Veiled Bridal Hair Accessories for purchase, or rental, on our website.

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WHITE STOLE marries at the LITTLE WHITE WEDDING CHAPEL....on time!

1/9/2016

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PictureValentino Lace Stole
It was a White Stole Las Vegas ceremony!  And she brought several Silk Satin Shawl Wedding Stoles to celebrate the Glitterati Wedding history of many of our favorite Divas from Old Hollywood to New.  Famous and fabulous women from Judy Garland, Rita Hayworth, Joan Collins and Patty Duck as well as Mary Tyler Moore, Mia Farrow and Demi Moore have been swept into the starlight under the influence of getting to this iconic little white chapel setting in Las Vegas "on time."  And so did White Stole….on their big Wedding Photoshoot day! 
 
Whether you choose to marry and hold your Wedding Photoshoot at a star-studded space like The Little White Chapel, a Historic City Center, a Family Vineyard, an English Manor’s gardens, an Island Beach Resort or Urban Ballroom, we are sure you will want your Wedding Album filled with photos taken at an idyllic setting, complete with memorable attire and decorations to match your theme, and warm your nostalgic heart in the years ahead.   
 
There’s always a wedding somewhere in the world, and with all the choice the White Stole Collection offers those devoted to handmade, hand-silk-screened, heritage luxury goods, everyone from Brides and their entourage to Wedding Guests alike can find the perfect luxe Stole to get excited about.
 
We’ve got you all wrapped-up in Love with colors as white as your purity, ruby-red as your heart, or brilliantly-pasteled in floral, graphic, ethereal, or silky-cool gold and diamond embroidered Stole and Wrap pieces.  And for Vintage-Inspiration, our natural toned Fur Stoles will warm your heart as you melt in his arms!
 
Simply choose from one of our favorite Valentino or Leonard, Paris Silk Satin Shawl or Stole Wrap Collection, or our Vintage Rental Stole Collections. These iconic brands’ graphic collections feature rich embroidery and color blocking to add superb styling to timeless essentials, all with a decidedly cool Modern Wedding flare!
 
View White Stole’s entire collection for size and color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes, Shawls and Veiled Bridal Hair Accessories for purchase, or rental, on our website.

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Top Vintage Bridal Wear Stole Wraps as seen on WHITE STOLE PINTEREST!

9/19/2015

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Any glamorous Retro Wedding Theme wouldn’t be remarkable without a quintessential Bridal Wrap that makes your look stunningly complete.  So, White Stole thought it only appropriate to thank all of their adoring Pinterest fans who have so carefully chosen and rated these curated ICONIC couture looks as their FAVE PINS from White Stole's Pinterest Page over the years by posting them altogether here, in one spot, for your viewing pleasure!

It is said that Beauty is Self-Preserving because what we fall in love with, we protect.  We all want to be on the journey to inspiration.  And every fashion-minded, Chic woman knows that taking the best looks from the past and bringing them forward not only protects, but projects the best sides of our fashionable selves....yesterday and today!

Take a peek and take-charge of your own Couture Chic by using these gorgeous 40's, 50's and 60's Vintage Photos to bring excitement for more posts to come from White Stole…and inspiration for how you can synthesize, rev-up and create your own Wedding or Evening Wear look wearing a Stole – whether Couture or Vintage – from the White Stole Collection.

View White Stole’s entire collection for size and color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes, Shawls and Veiled Bridal Hair Accessories for purchase, or rental, on our website.
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Jackie Kennedy wearing Oleg Cassini Gown with Silk Stole
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Jackie Kennedy wearing Oleg Cassini Gown with Silk Stole
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Evelyn, Sunny and Dovima in White Mink Stoles over Evening Wedding Gowns
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Sketch by Rene Gruau in Red Stole and matching Gown
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WEDDING WARDROBE:  Summer “City Wedding” NIGHTLOOKS after dark

8/8/2015

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Warmer days bring strapless Bridal Gown Styling…and a perfect opportunity for you to think about flirty, around-the-shoulder silhouettes and Statement Accessories for instant Chic at an Evening Wedding in the City.  Style “topped” with…. an Evening Wrap!

Our Seattle Bride infuses her signature Je Ne Sais Quoi style into her glamorous look with a simple-but-chic, lightweight Silk Stole cover-up as sunset winds down into moonlight. A long Stole - many inches longer and wider than a typical scarf - is the workhorse of the accessories world.  Use it to shield your décolletage from the sun during the day, to bring your most seductive mood into your photoshoot, and as that extra layer when the sun fades into evening moonlight.

If you're attending a City Wedding this summer or just planning on taking an urban Night-Out-On-The-Town, a Silk Stole from White Stole is the key piece you need to look stylish and be prepared for the temperature all weekend long - without over-packing.  And, Have-And-Hold as a Momento forever-after!

Whether traveling to a Destination Wedding across town, across state or across-country, heavy luggage really isn’t necessary.  Packing a few versatile pieces you can wear multiple times is the difference between going In Style…and going without!

View White Stole’s entire collection for size and color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes, Shawls and Veiled Bridal Hair Accessories for purchase, or rental, on our website.


Photos courtesy of Melissa Miksch Photography 


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White Stole's "Sophisticated Evening Lace ~ Mixed Colors" Couture Bridal Wrap in gray/black
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White Stole's "Sophisticated Evening Lace ~ Mixed Colors" Couture Bridal Wrap in gray/black
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1950’s FASHION'S GREATEST HIT – The Stole Wrap is back in Wedding Wear!

7/11/2015

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A 1940’s depression-era Bride may have worn her Sunday best suit with a military air to be married at the Courthouse, or perhaps made herself a simple off-white, ivory or beige dress she designed from furnishing fabrics with Gibson or mutton sleeves that billowed at the top and tapered to fit below the elbow.  She may have made her Veil, too, from lace curtains worn on top of swept-up hair, and carried a flower bouquet made from paper due to war-time rationing.  
A wealthier '40’s Bride may have danced the Jitterbug at her wedding to the sounds of a Big Band in a borrowed  Wedding Gown that featured netting or the hint of the first “sweetheart” shaped neckline and corseted waist made of rayon, or sometimes silk.  But as the era turned the corner to the 1950’s, the influence of Christian Dior’s “New Look” hour-glass dress with it’s flowing skirts made of yards of cloth set the stage for Bridal Wear. 

The '50’s Brides are seen encircled in lace or cutwork, overskirts and puffed sleeves, and yards of transparent gauze or satin inspired by the billowing, luxe skirt, tight-waist and barely visible “sweetheart neckline” of the gown that Grace Kelly wore in 1956 to wed Prince Rainier of Monaco, or by Elizabeth Taylor’s hour-glass Wedding Gown. 

The lifting of rationing on fabric allowed women to celebrate their figures with hoop skirts, crinolines and other full-skirt techniques to emphasize the waist and “pointed bosom” bodice.  French lace was the rage as post-war lace began to be manufactured again, bringing back tiers of Chantilly Lace and flouncy frills to the skirts of Wedding Gowns.

Audrey Hepburn equally influenced Bridal Wear in 1954 with her “Modern Princess” look in a ballerina Tea-Length Lace Wedding Dress with sleeves and few embellishments.  Gloves became the standard fashion of the '50s, with fingerless bridal gloves made of tulle, lace, or satin.  Shorter, flutter hemlines led to shorter veils and many gowns were designed with layered materials, three-quarter or long sleeves, upstanding gothic style collars, or to be worn as strapless evening gowns after the wedding. 

Coordinating flowing or opaque Stoles or Lace Boleros worn on top of a strapless dress for coverage at the wedding became popular at the end of the decade as dress lengths moved from floor-length to ankle-length, and dropped hemlines and scooped necklines appeared. 

The 1950's was a decade defined by decorum, elegance, and etiquette. Traditional, classic wedding receptions featured Wedgewood china, white roses, cut glass, and silver on damask cloths.  Wedding cakes, often displayed under a floral arch, were styled with popular motifs from the era, like poodles. 

View White Stole’s entire collection for size and color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes, Shawls and Veiled Bridal Hair Accessories for purchase, or rental, on our website.

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Audrey Hepburn, 1954, in Tea-Length Wedding Dress
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1940's Bride in Bridal Hat and draped sleeve Wedding Dress
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VALENTINO~the Brand that follows Elegance and Refinement in Gala Wear

1/10/2015

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In life, there just simply are certain garments we want to wear in the most beautiful moments of our lives.  And in the world of Formal Wear, Valentino is a brand that follows both elegance and practicality…thanks to its secret ingredients that have maintained touch with the trends that influence Gala Fashion all over the world.  Season after season each collection is more amazing than the last.  At the same time, it’s evident that designs by Valentino always follow traditional style and taste, which will always rise to the top.

The polished elegance of Stoles, Capes, Shawls and Bolero Wraps that dominate Valentino's Runway at every Fashion Week prove to all of us that in every season, and in every fabric, whether lace, fringe, fur or sheer silk, Valentino's designers celebrate the flawless in women's true nature.  The extraordinary House of Valentino breathes inspiration from all women across the globe.  Whether shy, extroverted or romantic, Valentino designs are famous for creating gowns and accessories of elegance for everyone to dress their own personality without ever neglecting refinement and originality.

Either a sheer, black Embroidered Lace or Fur-Trimmed Lace Valentino Gown, or an ivory Lace-Caped Valentino Gown, such as the ones pictured here, exude pure elegance.  White Stole sees starlight when we look through the lace peep-holes in these gowns!  Equally elegant is the embroidered detailing and accents that present in the double-sided, luxurious "Sophisticated Lace Dream" Silk Twill Shawl Wrap by Valentino in the White Stole Collection, giving it the Ultra Luxe vibe you are seeking for any Wedding, making it easy to pair with a chic evening gown, glamorous heels or a beaded clutch.  For extra bonus, move the tie to a front shoulder, so your collarbone will definitely get noticed!

Simply choose from one of our favorite Valentino or Leonard Paris Silk Satin Stole Wrap Collections. These iconic brands’ graphic collections feature rich embroidery and color blocking to add superb styling to timeless essentials, all with a decidedly cool downtown flare!  Whether buying for yourself or for someone in your wedding party, wrap-up these luxe classics for a very stylish holiday season.

View White Stole’s entire collection for size and color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.
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Ivory Lace-Caped Gown by Valentino
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"Sophisticated Lace Dream" Silk Twill Bridal Shawl by Valentino
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Sheer Black Fur-Trimmed Lace Gown by Valentino
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How to wear a SILK WEDDING STOLE  ~ The “Must-Have” Bridal Accessory!

10/26/2014

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We have seen them on last year’s runways, but again in 2014 the world’s top Bridal Collections are truly outstanding with their renewed emphasis on elegance…and the Stole: irreplaceable for the Bride who wants to feel like a fairy Princess on her “I do” day.

Reserved for true dreamers, this “Must-Have” accessory gives a royal touch to the wedding - a Princessly allure that each of us look for on the big day.  An elegant detail, light and sinuous, capable of enchanting a Bride’s guests during her triumphant walk down the aisle.  Short or long, the Stole is present in all variations, Silk Chiffon, Silk Satin, Silk Cashmere, Silk Twill, Silk Tulle, Silk Lace, in white, pastel, black or bold colors, floral and graphic patterns fastened with or without the adornment of a broach.  Extremely light, the Silk Chiffon Stole, in particular, lends an elegant touch that gives fluency to the bride’s every movement unlike any other fabric or accessory - whether draped over neck, shoulder or arm, or tied in the back and draped forward over the shoulders.  For the Modern Bride, the sky’s the limit on her style choices of Silk Stoles!

Even more sophisticated, is the Silk Stole with Lace Embroidered patterning, or in the form of a Vintage Tulle. The Stole becomes an essential accessory for every respectable bride, useful to hide necklines, and, when the time is right, reveal them and enjoy the party.  Truly infinite are the combinations of materials for those who are always chilly and love sheer covering over a strapless gown as they move from church to reception or dining room, or across a ballroom floor.  From the sheerest Chiffon to Silk-Cashmere blends to Tulles that give soft volume and silhouette, the Stole’s transparence and delicacy enriches the shoulders with grace and elegance.

It is well- known that the details in your wedding accessories make the difference!  Viva La Difference~!

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

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White Stole Presents:  SILK WEDDING GIFTS FOR  BRIDE AND BRIDESMAIDS 

8/30/2014

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In the nuptial spirit, White Stole has compiled a collection of quintessential Bride and Guest-of-the-Bride Silk Wraps we encourage you to take to heart....and shoulder…as these are the Wraps you’ll want to never take off!  Treating your Silk Wrap as the new neutral that it is, this accessory is one that goes with everything - especially now as mixed prints are back in high-style.

Whether you are going to a
Country, Garden, City, Glam or Island Resort Wedding, if you are in need of a luxe bauble that will serve as a ‘Thank You’ Gift for your bride or bridesmaids, look no further than the chic, luxury-approved curation White Stole has spent hours putting together for you.  

The unexpected set of Italian hand silk-screened, inspired colors and designs in the White Stole Silk "Gift" Stole Wrap Collection will rock any bride and her bridesmaids past the ceremony and on into her lifetime.  We have picked the perfect presents for your bridesmaids or best-friend that will be cherished - and used -  forever!

View 
White Stole’s entire Gift Collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


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Breaking Bridal ~ Unexpected Hues in your Wedding Day Cape Shawl

8/9/2014

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It goes without saying that your wedding gown is a reflection of your style.  But where is it a written rule that your Wedding Gown and Accessories have to be entirely ivory, antique white or optic white?  At White Stole, we love the old adage “rules are meant to be broken“ - especially when it comes to Wedding Dresses and their Accessories!  

Although we love a classic strand of pearls, we flock like moths to light towards out-of-the-box Accessories and accessory trends. Since your wedding day will be the most photographed event of your life, we wish for you to be absolutely sure that you dress exactly how you dream of feeling on your perfect day. 

You can be both Classic and One-Of-A-Kind by wearing metallic champagne, a pale soft hue in gray, beige or blue, a pretty blush pink - and as many already have, red or black - with the perfect Luxe Accessory to compliment.  Women who wear black and ivory in it's many shades with dazzling Accessories are simply stunning!  In fact, these colors are preferred in a cocktail or tea-length for casual weddings.  

While a Stole Wrap is usually rectangular, offering more width and length, the "Sophisticated Lace Dream" Cape Shawl is more square in shape, offering extra width for a fuller, more extravagant envelope of the silhouette. In all settings,   Cape Shawl Wraps are used today to keep warm, for added fashion to complement attire, and for symbolic reasons at outdoor or indoor evening affairs where the temperature is not warm enough for women in sheer or off-shoulder dresses and where a jacket is inappropriate.

White Stole’s photoshoot of the "Sophisticated Lace Dream" Cape Shawl by Valentino in magnetic black embroidered lace on beige Silk Twill is a stunning example of the lush look of color set against a minimal ivory or black gown, making the view maximally exquisite!

View 
White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


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The Bride shimmers on into twilight in a luxury Evening Silk Stole Wrap

6/28/2014

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As a summer day dips into twilight in our more temperate climates, the chill in the air beckons after sundown for an Evening Stole Wrap that will offer light covering and warmth, yet still be suitable for wedding gala festivities where a jacket would certainly not.   

Those of us who run more warm-blooded might have wrapped our
Stoles as a Sash around our waists, necks or elbows and left them to drape behind us throughout the reception and on into evening’s dancing.  

In any and all stylish cases, the ever-popular
Evening Stole Wrap and Evening Shawl come in many different forms, sizes and price ranges.  Stoles of silk, silk satin, chiffon, organza or similar sheer materials are meant to provide a bit of warmth, though Fur Stoles and Evening Shawls, the latter of which are often knitted, clearly provide more.  The Silk Stole Wrap has historically been paired with an evening gown or dress. These Silk Stole Wraps for evening are typically finished with a simple hem on either end, exuding elegance in being both light and sheer.  Some individuals prefer to pair their Evening Stole Wrap with more casual fashion skirts and dresses since the Evening Stole Wrap will launch any attire into an elegant look for evening when teamed with dressy heels and accessories.

Triangular knit
Lace Shawls are usually knitted from the neck down and may or may not be shaped. Faroese Lace Shawls historically are knitted bottom up and contain a center back gusset.  Each shawl consists of two triangular side panels, a trapezoid-shaped back gusset, an edge treatment, and usually shoulder shaping.

On top of warmth, an
Evening Stole Wrap is often worn to show off a particular fabric, like silk satin, or fur. The major difference between Stoles and Shawls lies in the size, and the material. Stoles are usually rectangular, offering more width and length than a Scarf, while Shawls are more square in shape, offering extra width for a fuller, more extravagant envelope of the silhouette.

View
White Stole’s entire collection for size color ranges of Stoles, Silk Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


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Newest Summer Wedding Trend looks to the historic appeal of long Shawls

6/21/2014

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The first Shawls, or "Shals," were part of traditional Persian costume in Achaemenid Persia worn by both males and females. Shawls were also part of the traditional costume in Kashmir, India, which was probably introduced via assimilation to Persian culture. They were woven in extremely fine woolen twill, some such as the Orenberg Shawl, were even said to be so fine as to fit through a ring. 

Kashmiri Shawls came in two classes:  they could be loom-woven in one color or in different colors (called tilikar or tiliwalla), and woven in one piece but more often sewn in small segments that are imperceptibly sewn together; or they could be ornately woven and embroidered (called ameli or amlikar). in which an intricate and elaborate pattern is stitched on top of plain pashmina wool.

Kashmiri Shawls as high-fashion garments were brought to Western Europe in the early- to mid-19th century.  Imitation Kashmiri Shawls woven in Paisley, Renfrewshire, Scotland are the origin of the name of the traditional paisley pattern.  Shawls were also manufactured in the city of Norwich, Norfolk, England from the late 18th century (and some two decades before Paisley) until about the 1870s.   The Kashmiri Shawls from Asia maintained a pre-eminent place the world-over for their beauty and quality, particularly the Lightweight Wool Shawls, delicate Silk Shawls, and more sturdy Wool Shawls, however, it is due to their western imitations that Shawls took Europe by storm, replacing fibers like cotton and linen, thereby making it one of the most important accessory pieces in garment history.

The
Kashmiri Shawl is characterized by the elaboration of its design, in which the "cone" pattern is a prominent feature, and by the glowing harmony, brilliance, depth, and enduring qualities of its colors. The basis of this richness is found in the very fine, soft, short, flossy under-wool, called pashm or pashmina, found on the shawl-goat, a variety of Capra hircus inhabiting the elevated regions of Tibet.  There are several varieties of pashm, but the finest is a strict monopoly of the maharaja of Kashmir. India.  Inferior pashm and Kirman wool - a fine soft Persian sheep's wool - are used for shawl weaving at Amritsar and other places in the Punjab of India, where colonies of Kashmiri weavers are established. 

Kashmiri Shawls reached their widest and most universal appeal in the West due to Napoleon’s conquests in Egypt and his alleged gifts of Shawls to Josephine, that galvanized their notoriety.

Silk Shawls with fringes, made in China, were available by the first decade of the 19th century.  Ones with embroidery and fringes were available in Europe and the Americas by 1820. These were called China Crepe Shawls, China Shawls, and in Spain " Mantones de Manila" because they were shipped to Spain from China via the port of Manila. 

While the importance of
Embroidered Shawls in fashionable women's wardrobes declined between 1865 and 1870 in Western culture, they became part of folk dress in a number of places including Germany, the Near East, various parts of Latin America, and Spain where they became a part of gypsy dress - especially in Andalusia and Madrid.  These Embroidered Shawls were revived in the 1920s under the name Spanish Shawls, a named derived from their use as part of the dress of Spanish Gypsies, also known as Gitanas. Their use as part of the costume of the lead in the opera Carmen contributed to the association of the Shawls with Spain rather than China. 

Shawls are used today to keep warm, for added fashion to complement a costume, and for symbolic reasons at outdoor or indoor evening affairs where the temperature is not warm enough for women in sheer or off-shoulder dresses where a jacket might be inappropriate.

View White Stole’s entire collection of Cashmere-Silk Shawls, Stoles, Silk Stole Wraps, Vintage Stoles, Stole Capes for purchase, or rental, on our website.



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The new "must-have" accessory for the modern wedding ~ the Stole Wrap!

6/7/2014

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We have seen them on the runways, but of all the elements within designers’ bridal collections, it is the Stole in it’s many forms that is truly outstanding.  Alongside the traditional Veil, the Stole is irreplaceable for the bride who wants to feel like a fairy princess on her “I do” day.

This “must-have” gives a royal touch to the wedding - a princess allure that each of us look for on our big day.  An elegant detail, light and sinuous, capable of enchanting our guests during the triumphant walk down the aisle. Short or long, the
Stole Wrap or Stole Cape is present today in all variations, from tulle, lace, organza, and chiffon, in white, pastel, or stunningly bright colors. Extremely light, the Stole lends an elegant touch that gives fluency to the bride’s movements.

More sophisticated is the
Stole Wrap in embroidered or appliqued lace. The Stole Wrap becomes an essential accessory for every respectable bride, useful to conceal jaw-dropping necklines or shoulders, and when the time is right, to uncover them and be able to enjoy the party.  Truly infinite are the combinations of materials, from cashmere-silk blends for those who are always cold, to tulles that give soft volume to figures, to chiffons and silk satin for the most luxurious touch.

Reserved for true dreamers is the transparent and very delicate silk chiffon
Stole Cape that enriches the shoulders with see-through grace and elegance. It is well- known that the details make the difference in elegance itself.

View White Stole's entire collection of Stoles, Silk Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


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 The “Stole” "Stole Wrap” and “Stole Cape” share a long, elegant history

5/31/2014

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The elegant inspiration of a flowing Stole as a formal wrap of expensive fabric wrapped around the shoulders over a long dress or ballgown, created from silk or natural fabric, and of a length long enough to be draped across either shoulders, or around arms or neck has survived in all cultures throughout the ages. 

A
Stole Wrap is typically narrower than a Shawl, and of simpler construction than a Stole Cape, and is typically worn loosely around the shoulders. Lighter materials such as silk and chiffon are simply finished or cropped, hemmed and bound.  Heavier materials such as fur and brocade are typically lined.  A Silk Stole is essentially a small version of a ladies’ Stole, made of silk. Though these garments or accessories aren’t always made of silk, they are typically manufactured with similar quality fabrics.

A
Stole can also mean a fur or set of furs.  For formal wear, a finished length of fur using pelts from more than one animal is worn over a suit, dress or gown.  In this case, the word Stole stands alone or is used in combination: Fur Stole, Mink Stole.  A Stole is typically narrower than a Cape or Wrap.  The Fur Stole is kept fastened and held together at the front of the collar. Unlike a Silk Stole or Shawl, which is wrapped loosely around a lady’s shoulders and occasionally the neck, a Fur Stole is manufactured to fit the body more snugly

Similar to a Shawl, the Stole Cape typically uses more material length and covers more of the upper body. Also occasionally referred to as a Stole Wrap, the Stole Cape is likely to be found in a wide array of materials and colors, but the most common type of Stole Cape is typically made of fur.  Some popular dressy styles of Stole Capes might include ostrich feathers, marabou, or other material. The feathers can come in various colors, although black, brown and white are generally the most commonly seen.

In addition to making an elegant fashion statement, all types of Stoles have been used to show respect while in a church or in a formal setting, such as for a Wedding, where it might be inappropriate to display bare shoulders or a low-cut gown.

Historically,
Stoles were considered ceremonial dress worn for special occasions or at formal events such as weddings, coronations, graduations, parades, religious rites and galas.  Besides the Wedding Dress, throughout history the formal dress code of ceremonial dress has included the Ermine-lined Cloak, Crown and Septer of a King or Queen, Tribal Dress, Suit of Armor, Military Dress, Liturgical Robe, Graduation Gown, and Robe and Wig worn by British judges.  The Stole as an ecclesiastical vestment consisted of a narrow strip of silk or other material worn over the shoulders or, by deacons, over the left shoulder only, and arranged to hang down in front to the knee or below.  The Stole as a long robe was worn by the matrons of Ancient Rome. 

The lithograph plate posted here showing a variety of ways of wearing shawls in early 19th-century France (ca. 1802-1814), is redrawn from various early 19th-century sources by Durin for
Albert Charles Auguste Racinet's Le Costume Historique (1888), and shows the myriad, exquisite ways the Silk Stole Wrap has been worn over the ages.

View
 White Stole's entire collection of Stoles, Silk Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


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Modern American Bride ~ The Bold and the Beautiful love Luxury Accessory

11/30/2013

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From the 1960's and beyond, among the “Fun and Flirty” looks that new Bridal Fashion has adopted is the Statement Dress, Tee Shirt Gown, Top Hat and Tails, the Caftan, Native American and the Palazzo pant.  With all, the preference for wearing Silk has remained the fabric that most completely brings out the Romantic Heart of a woman. 

An ethereal vision…the Silk Chiffon Shawl blowing in the wind strikes a magical pose with its muted tones of dark and sky blue, chartreuse green and purple accented with gold.  For the daring bride, a printed shawl can be something new, inventive, bold or simply a soft and whispered statement of beauty.  Set against endless blue, the blues and greens of White Stole's "Gisele" Shawl almost trumps the sky itself.

Whether wearing strands of diamonds and pearls, vivid tangerine or chartreuse silk chiffon, silk emerald green jersey trimmed in beads, pink flamingo, deep ruby red, pure black, or plaid, the Modern Bride intuitively understands the mantra of Oleg Cassini ~ “Do something you will be really proud of ~ make a unique statement!”

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

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Tieing  the “Wedding Knot” means lasting marital bliss               

11/23/2013

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Universally, “knots” in the origin of the wedding ceremony with its centuries of tradition, have had a place in the folklore of many cultures as a symbol of unbreakable pledges.  

Historically, the knot as the symbol of a lasting unity dated back to the Legend of St. Katherine, circa 1225, where the Middle English word “enotte”, or ‘knot,’ was used to mean "the tie or bond of wedlock." From that point ‘To tie the knot’ as an expression came to mean getting married.  

The costume of the bride is the pivotal image that sets the theme for the event itself.   The design of the gowns and their "Stole Wrap" accessories, floral arrangements, and decorations symbolize the tying of the knot custom, representing the bonds of marriage.

Historically, the bride would arrive at the altar with an untied shoe, and the groom would tie the lace.  Knots were tied in the bridal bouquet with a fabric or silken cord or within silk garments as part of the ceremony.  In Italy, a knotted ribbon is tied over the entrance to the reception, within bouquets and Bridal Wraps, and in the frosted pastries tied in knots which are served to symbolize the Love Knot.

View White Stole’s entire heirloom collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

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  “Something old, something new…marry in blue, lover be true”   

11/9/2013

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The wedding ceremony, with its origins in centuries of tradition, has evolved out of legend, and the many “taken for granted” sayings associated with it. 

 “Something old” traditionally has symbolized the link with the bride’s family and the past.  “Something new” has stood to inspire optimism and hope for the new life ahead. “Something borrowed” has stood as a token from someone happily married whose good fortune in marriage may carry-on to the new bride and remind her of history that precedes her.  And, over the centuries, “Something blue” has become part of the tapestry that is “The Wedding.” 

In ancient Rome, brides wore blue to symbolize love, modesty and fidelity.  Before the late 19th century, blue was a popular color for wedding gowns, bringing about the saying “Marry in blue, lover be true.”

These ancient beliefs and practices are pivotal images that the curators at White Stole have put their whole hearts into.  While our beloved Vintage Stoles stand as a heritage piece that brings to the wearer good luck from the past, our couture Silk Wrap Stoles offer themselves to you as a keepsake and treasured momento of the most special day in your life.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.

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This Pretty little Thing called....”Couture!”

6/22/2013

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Any study of fashion can not be separated from women’s fashion history and an understanding of the beginnings of Haute Couture literally meaning “high-quality sewing.”  Paris had been the center of couture since the 19th Century when couture was transformed from a craft into business, and high art. 

Women’s fashion had been put on ice during WWII from 1939 to 1944.  During the occupation of Paris in 1940, many fashion houses were forced into war-related industries.  The progress of the war made it necessary to prohibit all superfluous material and labor.  America followed Britain in clothes rationing with L85 restrictions, promoting the approved ” Victory Suit” with its narrow styling as being more practical and patriotic. 

The Allied Nations were at a loss when Paris fell because they had looked to Paris as the World Capital of Fashion since the 17th Century.  Despite materials rationing on both sides of the Atlantic, some 20 Parisian couture fashion houses violated the wartime silhouette during this time and continued to produce approximately 100 models per year – primarily for wealthy collaborators or for export to Germany.  From Designers to Apprentices, the French declared they had fought to keep Parisian Couture alive because it represented a Parisian industry of prime importance, a means of employment…but most importantly, because it preserved Haute Couture in the eyes of the world.

View White Stole’s entire collection for size color ranges of Stoles, Stole Wraps, Vintage Stoles, Stole Capes and Shawls for purchase, or rental, on our website.


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